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How to use the new LinkedIn update to increase your reach

We all try to keep our LinkedIn feeds up to date don’t we? We try to log in frequently to check-in to the oldest ‘big’ social network out there but let’s face it, for many of us it’s never our most used app or website. Well, this blog might change all that.

In October, LinkedIn announced BIG changes to their feed algorithm meaning not only will we be seeing some fairly different content when we log in, but we’ll notice our personal content getting a lot more attention.

What’s the update?

Let’s set the scene: LinkedIn has over 567m members who post more than a million posts, videos and articles each day. The thing is, it was the content from a select few (the most followed 1%) that dominated the LinkedIn feed meaning that lowly users like me (and probably you) didn’t get much of a chance of our posts appearing on feeds, let alone get engagement.

LinkedIn followed the common rule in social networks – the more engagement a post gets, the more likely it will appear in feeds, which means that key influencers like Bill Gates and Richard Branson, who have a lot of followers, get more engagement, and therefore appear in more feeds – which gives them more engagement, which gets them in more feeds and…well, you get the picture.

What those clever folk behind LinkedIn have decided to do is look at who is posting that content and evaluate how much a like, comment or share would mean to the author.

Following me so far? Ok – to use the examples that the social network have used themselves:

LinkedIn update

Source: LinkedIn

Why does this matter?

LinkedIn started as, and remains to be, a social network focused on individuals (professionals) connecting with each other; rather than organisations talking to their audience. Indeed, here at DTW, we champion individuals using LinkedIn over organisations – as seen in the employee advocacy work we do with our clients. It is this personal level that LinkedIn are bringing with this new change.

Therefore, if you are looking to spread your organisation’s message on LinkedIn, now is the time to do it from your personal profile, rather than your company’s.

What should communicators do?

  1. When you’re posting content on social media, what is the main objective? It’s for your audience to read it, and engage with it. From DTW’s perspective, it doesn’t matter if that reach comes in the form of a company post, or an employee’s post, as long as that content is being read and engaged with.
  2. Therefore, if you use LinkedIn as a platform for your communications, now is the time to think about enabling your employees to share that content in their own feeds and networks, as well as sharing it on your company page too.
  3. It’s important to encourage employees to share your organisation’s updates and content on their own channels. This might be in the form of internal communications like an intranet or companywide email – either way, let them know the content is there. As part of this, encourage engagement on other posts that they see in their feed too.
  4. This personal-level of sharing might be trickier to monitor as engagement on personal posts won’t appear in your company’s LinkedIn analytics. For us, it’s not too important (we all chat to each other about our posts), but if tracking ROI is a key objective for your organisation, there are employee advocacy tools out there that can help; like Smarp or Sprout Social’s Bambu.
  5. We’ve helped clients build confidence amongst their employees to post on their company’s behalf, and using an employee advocacy tool, it can be easier for everyone to share content. With this new algorithm update, it’s a great opportunity to get engagement and recognition for it.

We’re really excited about this LinkedIn update – it’s a step forward to bringing social media back to being social.

Thanks for reading!

Jess

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Creating meaningful content for Facebook

Facebook have announced it will be taking steps to limit the number of low-quality ads on their platforms by disapproving more of them and reducing the distribution of the ones that are approved. Which got me thinking, what are the key ingredients to creating high-quality content on Facebook?

Before we dive in let’s go through a little background and talk about what ‘low-quality’ actually means. In Facebook’s own words low-quality ads “include clickbait or direct people to unexpected content, create bad experiences for people and don’t align with our goal of creating meaningful connections between people and businesses.”

Facebook break it down in more detail in their own blog post, but it’s basically the trashy content shown in the images below, the kind which either directly asks for engagement or where, when clicked on, presents you with a gazillion irrelevant pop-up ads which you have to get rid of before you can get to the inevitably underwhelming content hidden underneath.

Facebook post on mobile
Facebook post on mobile
Facebook post on mobile

Working in communications, Facebook does a lot of stuff which makes me bang my head against my keyboard, but this one I think is spot on. At DTW, we’re not in the business of begging for likes, and we’re certainly not out to deceive our audience into clicking on our content. And from my own perspective as a consumer, it’s great news – these types of posts are annoying, pointless and not what I’m on Facebook to see.

So, as communicators, how should we be engaging with our audience on Facebook in a way that resonates with them whilst still benefiting our brand? And not just in ads, but in organic content too. Obviously, every organisation is different, but I’ve whittled it down to these three basic key ingredients:

Know why you’re posting in the first place

Every single thing you post on social media should have an aim, because what’s the point in posting just for the sake of it? What story do you want to tell your audience, what impact do you want to make, and what do you want to result from the post? It’s easy to get into a repetitive cycle of posting things because ‘it works’ without really knowing why. But it’s important to take a step back, take a look at things strategically and ask yourself those questions, because you can’t create meaningful content if you don’t know the meaning of it in the first place.

Create content your audience can connect with

The joy of marketing on Facebook is that it’s easy to get into the mindset of a consumer, because you probably have a Facebook account and are one yourself. Think about how you and your friends or family use the platform. What do you click on? What do you like? What engages you so much you leave a comment or share on your own profile? Now think about how you can apply that to your own organisation. Aim to educate, entertain or evoke an emotional reaction. To get the most out of Facebook’s algorithm you want to create content that starts a conversation rather than posts which are consumed in passing and then quickly forgotten about.

Be transparent

Hopefully, you aren’t alarmed by Facebook’s latest announcement, and if you are then maybe we should have a chat about your social media strategy. But it does highlight the need to be completely open and honest with your audience about what you’re asking them to click on. Do you want them to find out about your latest initiative? Tell them! Are you asking them to sign up to a service? Make it clear. Either way, be upfront, and don’t get too caught up in having incredible engagement rates across the board. If your post is about a niche topic, expect engagement to be lower, but know that the engagement you do get is probably better quality than if you’d tricked your audience into clicking on it.

So, I think that covers off some of the basics. Of course, there’s more I could chew your ear off about, but we’re all busy people and we’d be here all day. If you made it this far, let me give you a virtual high five and a bonus tip – always, always, always include images (or preferably video) in your Facebook posts, the algorithm loves it and your posts will get noticed by your audience. I’ve already waxed lyrical about getting your social media image sizes right, maybe my next blog will be about getting the creative content right too.

Thanks for reading! – Hannah

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Twitterstorms, Facebook meltdowns, Instagram explosions – how do you handle a crisis on social media?

What are the golden rules for managing social media in a crisis? Our MD Chris Taylor takes a look at how the UK public sector is leading the way and picks out his five top tips for using social media in a crisis.  This article first appeared in ESPO’s Spotlight magazine. 

If you work in the public sector, one thing you can guarantee is that ‘stuff happens’ (other words are available).

Another certainty is that when it happens, there’ll be a whole load of people queueing up only too ready to put the boot in and give the local council, NHS trust or emergency services a good kicking and a heavy dollop of blame.

It was ever thus, and always will be. Today though, we have the added joy and immediacy of social media. So where do you start when it comes to managing social media in a crisis?

Five golden rules

Here’s our five golden rules for engaging with your communities on social media when that ‘stuff’ hits the fan.

  • Plan in advance– if you’re stepping blinking into the sunlight without a pre-prepared and tested plan of what to do in a crisis then you’ve already lost. Think about involving your stakeholders and building and solidifying your key partnerships offline so you can all respond effectively and consistently online. You should also think about the channels that you will be publishing information on and who your audience is on each of these – carrying out an audit of your social media and keeping a handle on analytics on an ongoing basis is a good way of doing this.
  • Be accurate– when it comes to reputation, being right is more important than being fast (though that helps too). Rushing to publish before you are sure of the facts or guidance won’t just make you look foolish – it can actually make a real crisis situation much worse if you give out the wrong information or guidance. A steady hand is needed on the ‘publish’ button. It’s also critical to be proactive in identifying sources of inaccurate information and responding appropriately to avoid miscommunication and confusion.
  • Take ownership– if it’s your crisis, then you need to position your organisation as the key source of information – please follow us and share latest updates as we have them – the police in particular do a great job at this – but it’s a lesson we can all learn. It doesn’t mean you have to respond to every question – you can say we’re posting updates as and when we can confirm new information– it is a crisis after all. But do make sure the person heading up your communications is at the top table and informed at all times so the updates you do give out are accurate and consistent, and whoever is publishing that information follows an approvals protocol.
  • Be authentic– don’t just live in a social media echo chamber. What you do and say on social media needs to link with your actions in the real world – it’s no good just saying you care for example – you need to do something that shows you care (and video and share it so the world can see you mean it).
  • Be practical– think about what you’d like people to do and ask them (politely) to do it – people love to share and if your messages are simple and succinct (which they will be) you’ll find your online communities will be a massive help in spreading the word.

Remember, there is a silver lining. If you’re dealing with a major crisis or a challenging situation then you can guarantee your audience and community will have grown, which will give you greater reach and potentially greater influence when the smoother waters return.

DTW is an ESPO accredited supplier under Lot 9b of the 664 Consultancy Services Framework.

Chris is a Chartered PR Practitioner and a member of the national Council of the Chartered Institute of Public Relations (CIPR). He has provided community engagement and PR support to transport projects like Mersey Gateway, Northern Spire and numerous energy-from-waste and other treatment facilities.

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Does size really matter?

It’s the question we all ask at some point in our lives – does size really matter? Everyone has an opinion, and everyone thinks theirs is right. For me, size totally matters, if your social media images aren’t in the right dimensions you could be massively reducing your engagement levels…

So, now you’ve picked your mind up out of the gutter, let’s have a chat about why that is.

Whether you’re educating your audience with an infographic, shouting about your latest offer with an image or simply updating your profile and header images, we often spend hours crafting the perfect creative content for social media, but do you put as much effort into making sure it’s the right size for each platform? If the answer is yes, high five to you! Grab a cuppa, maybe a biscuit, and put your feet up because your work here is done. If the answer is no, you might want to read on about the impact this could be having on your brand…

First of all, do you even use images on a regular basis? At DTW we recommend that clients always include visual content like an image or a video when posting to social media, with a few exceptions of course. So, why do we do this? It’s simple, social media is an increasingly visual space, and you’re more likely to receive engagement and increase reach if you do. The numbers speak for themselves, tweets with images receive 150% more retweets than those without*, and it’s the same on Facebook with image-based posts receiving 2.3x more engagement than those without**.

But of course, it’s no good just using any old image, it has to be relevant, interesting, eye catching and if you’re posting on Facebook ideally containing less than 20% text. We call it a thumb stopping creative, an image that’s so good it cuts through the noisy social media landscape, grabs your audience’s attention and stops their thumb from scrolling down the newsfeed.

So, where does size come into all this? Let me paint you a picture. You’ve written the perfect post and you’re feeling pretty smug because it’s topical and witty but still hits your key messages. And you’re even more smug because the image you’re using is so mesmerisingly thumb stopping it would halt even the most jaded Twitter user in their tracks. It’s what social media management dreams are made of, right? But once that thumb has stopped, what do you want your audience to see? Making sure your image is the right size means your audience:

  • Appreciate the full image
  • Aren’t confused by cut off words
  • Don’t misinterpret what you’re trying to say because of cut off words (like your meet-up event for Cockapoo owners…)
  • Don’t miss important details like locations or dates

Everything you post on your social media feed reflects your brand, so what do you want yours to say? And more importantly, what does it currently say? Tailoring your images to each social media platform helps you to engage your audience, easily convey your message and give the appearance of being a professional, up-to-date organisation.

However, as with everything there are exceptions that prove the rule. Sometimes you might make a graphic too large for the feed preview so the audience are forced to click on it, or if you’ve taken a photo on the go it’s much better to get it out there whilst it’s fresh and relevant than waiting to get back to the office to squeeze it into the right dimensions.

And let’s gain a little perspective, if you post an image that isn’t exactly the right size, the world won’t fall down around you. The key takeaway here is to try and use relevant, eye-catching imagery in the right sizes whenever you possibly can, so your social media feeds can look their best and deliver the best results.

So, you’ve made it this far – congratulations! As an added bonus for sticking with me, I’ll let you in on a great way to make sure your social media images are always the right size. Sprout Social have this nifty cheat sheet containing every social media image size you could possibly need, and the best part is that when the platforms make an update (which, let’s face it is practically all the time) Sprout updates this guide too. And as a Sprout Social Partner Agency, we can vouch that they’re good eggs with reliable info.

Thanks for reading!

Hannah

*https://blog.bufferapp.com/the-power-of-twitters-new-expanded-images-and-how-to-make-the-most-of-it

**https://buzzsumo.com/blog/how-to-massively-boost-your-blog-traffic-with-these-5-awesome-image-stats/

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Animating the future proves just the job for UEFA

Warning: this is a blog about animation, not football.

Just thought we’d better get that out of the way first.

The new UEFA Nations League generated an impressive mix of confusion, apathy and shrugs all round when it was first announced, so the UEFA comms team have no doubt had their work cut out trying to explain the new competition format.

The answer – animation.

Good choice. When you’re faced with communicating a complicated issue or one that doesn’t have any simple ‘real’ visuals that can explain it or bring it to life, animation comes into its own.

 

In this case UEFA also managed to follow up a good idea with excellent execution. Its suite of short animations explains the two key elements of the new Nations League format.

Clever, simple and effective, they follow the golden rule of still working when played with no sound and put the viewer in charge of the pace they learn at. As a consumer, you or I can go back and re-watch any particular element that we might need more than one viewing to register properly.

The UEFA animations have been widely shared with and used by the media, increasing reach and lending third-party credibility and increasing understanding of and, I hope, support for, the new-look tournament.

You need some clever animators, an eye for detail, a damn good knowledge of flags, and a comprehensive proofing system for a job like this to deliver it. But first of all, you need the idea – well done UEFA – it’s not often they get credit for very much to be fair.

At DTW, we find we’re increasingly using animation to showcase complex concepts or bring to life ideas that just don’t work with video footage.

You don’t need to worry which employee you want to give a starring role to in case they decide to leave, or if the project you want to showcase is still a construction site, because you’re creating your own universe and you have control over the characters, the plot and the setting.

If you want to see a bit more you can see some examples of our most recent work.

Thanks for reading

Chris.

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Twitter: When brands break up

**Editors note: This blog was originally published on 24th July 2018, with all details correct at the time of publication. The dispute between UKTV and Virgin Media has now been resolved, with an announcement on 11th August 2018 stating the two had reached a ‘long term agreement’ reinstating all of UKTV’s channels and services to Virgin Media.

Breakups – we’ve all been through them. The boyfriend who refused to wash his socks, the girlfriend who lost your cat, or the friend you realised you actually have nothing in common with. Accusations thrown around, harsh words said in the moment. Sound familiar? I thought as much. So, let’s all agree we can relate as we grab our boxes of popcorn and watch the spat currently playing out between UKTV and Virgin Media in the very public arena of Twitter.

Now, I’m not here to comment on who’s right or wrong in what is clearly a complicated negotiation of contracts and something I know nothing about. Instead, I’m going to happily sit here in my comfort zone and analyse who’s doing the better job of managing their reputation and communicating with their audience. (TLDR*? It’s UKTV)

So, before we begin, I’ll catch you up on what the issue is here. Around four million Virgin Media households have lost access to 10 UKTV channels following a dispute over fees. Virgin Media have said that UKTV are “holding back channels” and asking for “inflated sums of money for its paid channels like Gold.” UKTV have said that Virgin Media want to “drastically cut” the fee they pay for their channels and UKTV just can’t afford to take the hit. Got it? Good– let’s go!

The news first broke on 19thJuly and since then UKTV have tweeted about it (including retweets, not including replies) 19 times, whilst Virgin Media are trailing behind with a slightly less impressive 3**. Now, whilst I’ll usually champion the whole “quality over quantity” approach, in this situation, with such a major change to the package they pay for, Virgin’s customers want to be kept updated with conversation about what’s going on. They want to know that this issue is at the forefront of Virgin Media’s minds. And, most importantly, they want to feel as though something is being done about it. 19 tweets say, we’re here and we’re concerned, three tweets in the space of 6 days doesn’t really cut the mustard.

Screenshot of Twitter post from @virginmedia
Screenshot of Twitter post from @UKTV

As with the tone of most arguments, it’s all a little “he said, she said.” But if we compare the tweets being put out by each account, UKTV have done a great job of putting Virgin’s customers first, whilst explaining their own point of view. Virgin Media on the other hand are taking an approach more concerned with directing the blame away from themselves and trying to instigate a manhunt for UKTV. Not very classy. It’s worth noting that at the time of writing, Virgin Media haven’t issued any tweets about why they’re asking for more money from UKTV.

Whilst we’re here, I’d like to do a quick shout out here to UKTV’s use of video throughout all of this. Great use of video is so important in social media and has been for a long time. Platforms like Twitter want to show it, audiences want to engage with it and it’s way more personal than a press release.

Whilst Virgin Media have posted a video, it’s a recording of a BBC News clip showing their Chief Digital Entertainment Officer giving his statement, retweeted from the Virgin Media Corporate Twitter account which isn’t even remotely consumer facing. Come on guys, let’s try a little harder…like our friends over at UKTV. They’ve issued two of their own pieces of video, presented by their General Manager for Comedy and Entertainment channels, straight to camera so he’s directly addressing the audience, making them feel acknowledged and heard. And the content hits the mark too, clearly explaining UKTV’s point of view, recognising Virgin Media customers’ frustrations and apologising. Whilst this is turning into a bit of a love letter to UKTV, I will give credit to both brands here – their choice of spokesperson is spot on.

Choosing someone who is clearly in charge and is directly involved in the situation is important as it gives them authority and credibility.

UKTV Tweet:

Virgin media Tweet:

When it comes to engaging with their audience, in this situation it’s incredibly important. Not only to provide them with good service, but to manage your reputation and influence how customers perceive your brand. To their credit, Virgin Media have done a great job of responding to frustrated customers and haven’t just ignored their complaints. On the other hand, as we can see in the examples below, a lot of their replies are obviously coming from a batch of stock responses.

Screenshot of Twitter responses
Screenshot of Twitter responses
Screenshot of Twitter responses
Screenshot of Twitter responses
Screenshot of Twitter responses
Screenshot of Twitter responses

Now, don’t get me wrong – stock responses can be very useful, but they start to become problematic when responses are required in such high volume. Although very handy for your workload, they do come across as robotic and lacking in personal touch.

And it doesn’t go unnoticed:

Screenshot of Twitter responses
Screenshot of Twitter responses

So, this blog is getting a little long, so I’ll wrap things up. What can we all learn from this? It’s not that Virgin Media have done anything outstandingly bad here, they haven’t.

But UKTV have done a much better job at engaging with their audience and promoting themselves as a brand who put their viewers first.

My main takeaways are:

  1. Keep those stakeholders primarily affected, such as customers, at the forefront of your communications
  2. Engage your audience with meaningful conversation
  3. Use engaging and informative video to convey your messages

Hannah

*Psst! In case you’re not into internet abbreviations, TLDR = Too long, didn’t read, although that’s probably not relevant given the length of this one!

**Accurate at the time of publishing.

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Ears, eyes, mouth – the building blocks of good community engagement

In this fast-moving age of multi-faceted digital channels, the most important thing organisations can do to build and maintain their reputations is get out into local communities and talk and listen to the public and stakeholders on the ground.

Twitter. Facebook. SnapChat. Instagram. YouTube. Yammer.

They all have their place in 21stcentury communications, but here’s three better options for you when you are planning your engagement strategy.

Ears. Eyes. Mouth.

Starting by asking questions and listening is really important. I’ve not yet met anybody who likes being involved in a conversation where the other person just doesn’t listen to them.

Infrastructure projects usually get plenty of scrutiny from the public and the media. And quite right, too. In some ways, it’s easy to get people’s attention when you mention ‘£400m project’, ‘nuclear waste disposal’, ‘three years of traffic delays’ or ‘disturbing asbestos’, but it’s how you treat people that matters and, crucially, how you made people feel when you engaged with them.

The digital age gives us huge opportunity to talk (and just as importantly listen) to our stakeholders, but it’s no substitute for pro-active ‘on the ground’ engagement with real people about real issues.

Put simply, if you don’t invest the time and effort in pro-active community engagement, you’ll get the reputation that that approach deserves, and you won’t like it.

Here’s a tip. Flip it round, and genuinely engage with real people who have an interest in your project, and the benefits can be significant.

There are good examples all around.

The Queensferry Crossing open weekend and ballot generated huge excitement amongst communities right across the UK and beyond, and Mersey Gateway’s TimeBank scheme, where firms involved in delivering the project gave back thousands of hours of support on community initiatives, paved the way for new playgrounds, learning environments and opportunities for local people.

HS2’s Community and Environment Fund is creating visitor hubs and play areas already, and Crossrail’s wonderful Learning Legacy website has a whole suite of best practice materials you can ‘pinch with pride’.

In Sunderland, on the Northern Spire project, we’ve brought over 2,400 school kids on to site in the past year to help inspire them about future careers in engineering and construction, and to generate excitement about the project and educate about the benefits it will bring to the city.

For waste projects or others, where fear of the unknown is a big part of community concern, invest in taking community representatives to see another project you’ve delivered and talk to your stakeholders there.

So where do you start? Here’s seven simple principles to planning your approach to community engagement and public relations that any infrastructure project director should follow.

  1. Invest in communications planning just like you invest in design planning– nobody dreams of starting construction work without a plan in mind, but far too many people still leave communications as an ad hoc task. Start with research and insight to find out what people think about your project, and what you actually want your communications to achieve.
  2. Pretend you live around the corner– step outside the box and stop thinking like a construction team. What would you care about if you lived or worked close by? Inevitably, it’s the stuff that’s difficult to deal with – noise, disruption and delays, but often it’s also success, outcomes and local pride – tap into that by engaging with people, but don’t try and pretend the difficult questions don’t exist.
  3. Be prepared to ask questions, listen to the answers, and act accordingly – unless your actions back up your thoughtful words then you have no credibility. All the examples given here need time and resource, but this is investing in your reputation. It’s not an optional extra.
  4. Be open and pro-active– explain and advocate what you are doing, when and why. Sometimes that means walking into the unknown, but you are far better doing it on the front foot with a positive agenda. Go for public exhibitions and focus groups, rather than public meetings – public meetings very rarely do anything to inform the public and it is even less rare that they inform infrastructure developments. For most members of the audience they can be intimidating, rather than informative, and people rarely learn anything new. Drop-in sessions and exhibitions, on the other hand, give everyone (not just those with the loudest voices) a chance to ask their questions and understand the answer.
  5. Expect the unexpected –in the past twelve months we’ve had infrastructure projects with short notice visits (not all at once) from the Royal family, Jeremy Clarkson, Pete Waterman, coverage in Vanity Fair and even tip-offs of protests planned later that day by Fathers for Justice. The speed of communications gets faster every year, and reputation often depends on quick action – no project exists in a vacuum and you need to be nimble and agile.
  6. Measure your success– decide what is important to you and measure it. HS2’s community engagement strategy lists ten commitments that are the basis for measuring success. Simple feedback surveys are really important and let you track issues and report back to colleagues.
  7. Listen to your communications team– a plea on behalf of in-house communications people everywhere. They are employed as experts in their field – this is their profession – so let them guide you.

No-one likes surprises – so make sure you have a ‘no surprise strategy’ for your important stakeholders. If you’ve got good or bad news to share, think about when, how and where you share it, and who your key community influencers are that need a heads up before the information goes public.

It’s about building authentic relationships with real people – and with your key media – so you have a genuine trust and dialogue that will get you and your project credit in the bank. Let’s face it, at some point, somewhere, something is going to go wrong, and you’ll need to deal with that. Far better to do it from a position of strength with an informed audience that knows your name and face than it is with a group of strangers who have no affinity with you.

A snappy Twitter feed and a dynamic Facebook presence might help you along the way (or not!), but to win hearts and mind you need boots on the ground and a team who can engage with the public.

Chris Taylor is a Chartered PR Practitioner and a member of the national Council of the Chartered Institute of Public Relations (CIPR). He has provided community engagement and PR support to transport projects like Mersey Gateway, Northern Spire and numerous energy-from-waste and other treatment facilities. He will be part of the DTW team at the Infrastructure Show in Birmingham on 17 April.

This article first appeared on the UK Construction online website.

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The power of animation

Animation is an important and increasingly affordable option for communicators and influencers. At its heart, good PR and communications is about engaging people with simple narratives or, if you prefer, telling great stories and keeping it simple. Plus, what’s not to like about cartoons.

Good animations can engage with your target audience, drive behaviour change, challenge preconceptions and educate and inform. In our always switched-on and highly visual world, animation can be thumb-stopping, attention-grabbing and shareable. It also offers several advantages over traditional video.

It can give context to difficult, abstract concepts

It allows you to explain difficult or abstract concepts in a way that no video or press release can, no matter how complex or sensitive the subject matter. Animation can show anything ­– from the atomic structure of hydrogen to the scale of the universe – in an engaging and memorable way.

It can be more flexible and creative than video

There are many situations that are too difficult, expensive, dangerous, or just downright impossible to capture with video. That’s where animation can be invaluable, allowing you to stretch time-scales or show large projects with ease. You can make it snow in the middle of summer, don’t have to worry about actors’ schedules, and don’t have to cram everything into the tiny allowance of daylight we get in winter.

The characters are totally under your control

What happens if that person in the background of your lovely new video didn’t sign a release form or the star interviewee is later found to have embezzled the company’s profits and run off to Guatemala? Unlike human ‘stars’, animated characters can be moulded to suit the message/audience, don’t demand a fee for any re-shoots and can be called back at any time for updates and amends. They also rarely embezzle or bring the company into disrepute at a later date…

So, if that sounds good but you’re worried because you’ve never commissioned an animation before? Don’t be. Here’s six starter tips to set you on your way.

1. Get your ‘why’ right
The fundamentals of good animation are the same as with any piece of comms work – focus on your objectives, understand your audience and get your head round your key messages.
As usual, you can save a lot of time, money and heartache further down the line by getting the brief right at the start and making sure the creative team understand your why.

2. Make sure you share your message in a style and tone tailored to your audience
From clean, flat graphics to sketchy, hand-drawn styles, there’s an animation style to suit every audience and budget. Don’t worry about knowing the technical terms – choose something that works for you and, if you’re not sure how to describe your preferred style, use a mood board or examples so your animator knows what you want. Describing visual animation effects linguistically is a challenge – you’ll probably end up using terms like ‘whoosh’ and waving your arms around a lot. This is perfectly normal and only embarrassing if you knock your animator’s coffee over.

3. Re-use your assets to develop your brand identity
The assets (characters, slogans, concepts and style) you create for your animation can be used across different media, allowing you to get more bang for your buck whilst maintaining a consistent and coherent visual identity.

4. Think about future-proofing
Animated content can be updated and amended comparatively easily (especially compared to video), but if you can save yourself some hassle at the start, then build this in. In an ever-changing world, content needs to be kept up-to-date. It’s worth bearing in mind that if you have a voice-over, changes to this will need to be factored in and this may have a knock-on effect with timing in your animation. If a voice-over is a must, make sure your script is final or record several variants at the same time.

5. Understand the process
You don’t just ‘create an animation’. You need buy-in and approvals for a visual style, a storyboard, and a script before you start bringing it to life. Changes are much easier (and cheaper) to do at the early, story-boarding stage before the actual animating is done.

6. Testing testing 1,2,3
If you’re engaging with a sensitive audience group or about a difficult topic, get feedback and input from audience representatives before you go public. A minor change in how something or someone is represented can make a big difference.

This little sample might give you an idea for some styles and approaches that work for you – have fun!

Sarah Bibby
Senior Creative

Categories
Insights

Facebook’s News Feed Changes In 2018 – What We Know

“It’s the end of days for Pages, the Facebook apocalypse” – Social Media Examiner

“the end of the Facebook News Feed as we know it” – Mobile Monkey

“Facebook feed change sacrifices time spent and news outlets for “well-being”” – Tech Crunch

These are just a few of the headlines from my social media news and insight sources that have appeared after Mark Zuckerberg announced that his first move to ‘Fix Facebook’ in 2018 is to change how the News Feed works.

Is it as bad as all that? Well, as Jon Loomer put it – we just don’t know yet.

What are the changes?

Breaking it down, here’s what Zuckerberg is saying:

  1. People are better than Pages – he wants to encourage us to post more personal content, rather than just sharing videos and links, which he sees will create ‘meaningful’ conversation
  2. He thinks the passive content consumption of videos and links is bad for our well-being
  3. Posts from Pages and Publishers aren’t going to appear as much in News Feeds, even if they have a lot of clicks and Reactions

What does this mean for communicators using social media?

If you read through the announcements from Facebook, Mr Zuckerberg himself, and the more optimistic articles – it shouldn’t mean much. If you are posting content that is meaningful and will trigger conversation, your content should still appear in the News Feed.

If you read the analysis from other blogs (ones – it is important to point out – that rely heavily on Facebook for organic traffic to their websites), we’ve been backed into a corner where we can’t talk to our audience any more.

Here are 4 key things I’m taking out of this announcement:

  1. General day-to-day performance of our page posts will go down. We will see our organic reach decline further
  2. Comments will become the most valuable interaction on Facebook, clicks will not be ‘valued’ the same way in terms of engagement rate (BUT ‘comment bait i.e. ‘comment on this, tag a mate who does this’ will be punished)
  3. Advertising will become more expensive. As the reach for Page Posts reduces, there’ll be more demand for the already jam-packed advertising spots available on the News Feed
  4. Other platforms may become the best avenue for our campaigns. It may be that we find Twitter or LinkedIn offer a better alternative when it comes to talking to our audiences.

The important thing for us, as communicators, is that we remain flexible and adaptable in our strategies and campaigns so we make sure we get the most from social media to help achieve our objectives.

My thoughts

As marketers, this shouldn’t be a surprise, organic reach of page posts is next to nothing now anyway, but it’s always been pretty obvious that was Facebook’s way of forcing Pages to pay to have their posts seen. Is this another tactic to have us spend more money?

Most likely, but I think it is something more. Social networks evolve as user behaviour evolves. To me, it seems Mr Zuck wants to turn back the clock on Facebook and have it as it used to be… status updates about what we’re watching on TV, photos of our activity – back when Facebook was a platform for university students. But here’s the thing:  we are still sharing that content, just not on Facebook. We use the likes of Instagram and WhatsApp (which Facebook owns) to talk about our favourite TV show with our friends, and document the story of a great day out to our friends and followers.

I think Zuckerberg needs to stop trying to manipulate user behaviour, these things evolve. Facebook has evolved into a content discovery platform where we enjoy videos of cute wild cats, or interesting facts and articles about topics we’re interested in. Let it be that, Mr Zuckerberg. Let the users do and share what they want.

Categories
Insights

Mobile First – Making your video ads stand out on mobile

Last week Facebook released some new research it has carried out around the performance of video ads on its platform. <link to https://www.facebook.com/iq/articles/stand-out-in-feed-optimizing-video-creative-on-mobile>

The report makes for some interesting reading and highlights many of the things we already knew – such as video ads developed with a structure and narrative that caters for the way that users consume video on social media outperform content that has been developed for other platforms or has been adapted to try and make it a better fit for posting.

So, what can you do to make your video ads work on social?

  1. Keep it short – the content that performs best on mobile according to the research is under 20 seconds in duration.
  2. Early use of branding – in the age of the thumb stopping creative, we also need to ensure that branding is positioned prominently in the first two seconds. The research shows that there was a much higher recall of an ad where the brand was featured prominently in the first couple of seconds as opposed to an adapted ad which might utilise a logo watermark to convey the brand.
  3. Know your audience – this isn’t necessarily a finding of the research, but it should go without saying that you should ensure you tailor your approach and creative to your audience (as well as making use of the tools available to target them).